Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Follower of Jacopo da Ponte
The Adoration of the Magi

ID: 91653

Follower of Jacopo da Ponte The Adoration of the Magi
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Follower of Jacopo da Ponte The Adoration of the Magi


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Follower of Jacopo da Ponte

painted Christ in the house of Martha and Mary in 16th/17th century   Related Paintings of Follower of Jacopo da Ponte :. | Christ in the house of Martha and Mary | Thamar wird zum Scheiterhaufen gefuhrt | The Adoration of the Magi | Enthauptung Johannes des Taufers | The Road to Calvary |
Related Artists:
Anton Faistauer
painted Alte Muhle bei Maishofen in 1911
David de Coninck
(ca. 1644 Antwerp - after 1701, Brussels), also known as Rammelaar was a Flemish painter of the Baroque period. David Koninck was born in Antwerp and studied there under Jan Fyt. After a few years in Paris, he staid in Rome from ca 1671 to 1694, where joined the Bentvueghels with the nickname Rammelaar (rattle). He is sometimes stated to have died in Rome in 1687; however, he returned to his home country and is last recorded becoming a member of the painters guild in Brussels in 1701. His pictures are chiefly landscapes with animals and still life. He is likely unrelated to the generally contemporary Dutch painters, Philip de Koninck, or Philips Koninck (5 November 1619, Amsterdam - buried 4 October 1688, Amsterdam) and the fellow townsman Salomon de Koninck. See Biography by Filippo Baldinucci.
LA FOSSE, Charles de
French Baroque Era Painter, 1636-1716 French painter and draughtsman. He was the most important decorative painter in France in the generation after Charles Le Brun and in this capacity contributed to many of the major official and private building projects from the 1670s to the 1710s, including the D?me des Invalides in Paris and the chapel at the ch?teau of Versailles. His colourist's temperament, his early study of the Venetian painters of the 16th century and his interest in the work of Peter Paul Rubens contributed to the triumph of the party that championed colour over line and put him in the vanguard of the new tendency in French painting in the later 17th century. His work, with its rich and changing colours, combines the strength of the 17th century






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